Macau looms large on the iniquitous edges of Asia. It is a city of sin: filled with casinos, prostitutes and any other vice or luxury one could imagine. In many ways this is business as usual. Trafficking of women and general skullduggery date back to the earliest days of the Portuguese colony at the turn of the 16th century. Now the stakes are much higher though, and for many visitors, money is not an object. Macau currently draws the biggest “whales” in the world and most of these high rollers come straight out of mainland China. The increase in gambling revenues in Macau is unprecedented. Galaxy Entertainment tripled its profits during 2011, and the entire casino industry is already up 20% in the first quarter of this year compared to last. Macau outperforms the Las Vegas Strip nearly six times over and there is no end in sight.

The already outrageous revenues posted by Macau casinos also appear to be the tip of the iceberg. It is largely acknowledged that a massive amount of cash moves through V.I.P. gambling rooms where high-stake bets are off the books. No one knows how deep that well goes. Money laundering and connections to triads run rampant through the “junkets” who shuttle wealthy mainland Chinese gamblers into Macau and collect their debts elsewhere in order to bypass currency limitations at the border. Macau is riding the tails of China’s economic boom and catering to the extravagant tastes of the Chinese nouveau riche looking to flex their often illicit financial muscles.

At the top of the pyramid are two of the world’s richest men: Steve Wynn and Sheldon Adelson (also the largest contributor to Newt Gingrich’s campaign efforts). Both are in heated competition to rule Macau as their fortunes continue to skyrocket despite serious allegations of corruption and a spotty track record. A WikiLeaks spinoff called CasinoLeaks – Macau offers up condemning fare based on collected public records. Be sure to read Evan Osnos’ article in The New Yorker that features my photography. He does an amazing job navigating this intricate web of sordidness. More photographs that didn’t make the cut can be seen below.

This is the second of a series of posts detailing the bourgeois practices of nouveau-riche, communist-heritage pilgrims who possess expectations and consumer desires that seem at odd with the core ideologies of the founding fathers of the Chinese Revolution. Armed with cash and a new sense of leisure, most of these fledgling tourists first make their way to Shaoshan/韶山, the birthplace of Mao Zedong. A slew of “red” products and trinkets are available around every corner even in the face of sincere reverence for founding Chinese Communist Party leaders that borderlines on idolization. Elderly tourists kowtow to statues of Mao Zedong while company retreats sing “red” songs and pledge oaths. These blind followers make easy prey for egregious tourist traps such as the Shao Yue Palace Maoist Family History Show, where attendants usher punters into Mao Zedong veneration halls, hand out lucky ornaments, ask them to bow to a Mao Zedong statue three times and then try to charge them for the “blessed” ornaments. Some estimate the value of the entire “red” industry at $1.5 billion dollars and Mao Zedong’s hometown is at the epicenter. Also check out the last post in the series on “The Defense of Yan’an” reenactment.

After a four-year, $380 million refurbishment, the National Museum of China finally opened its doors to the public as the largest exhibition space on the planet, beating out both the Louvre in Paris and the Hermitage in St. Petersburg. Even though now touted as one of the world’s premiere cultural institutions, it has failed to impress either international or domestic visitors with it’s shrill depiction of the history of the Chinese Communist Party in its centerpiece “The Road of Rejuvenation” exhibition. Key epochs such as the Great Leap Forward and Cultural Revolution are left out of its glossy displays and poorly translated placards. Still, such a propagandistic history of modern China was expected in the first place. What really shocked many visitors was the blatant commercialization of the National Museum of China within its first two design exhibitions: “Louis Vuitton Voyages” and “Bulgari: 125 Years of Italian Magnificence.” Museum directors claim such exhibitions are revitalizing interest in the space, but it is more a sellout at the heart of the nation a stone’s throw from Mao Zedong’s tomb. Critics remain baffled as to how such a key cultural institution could blatantly promote such crass consumerism, especially surrounding the 90th anniversary of the Chinese Communist Party which was also linked to an exhibition of historical paintings adjacent to vintage Louis Vuitton trunks and sparkling Bulgari jewels. Such opulent items stand counter to the core ideologies of the founding fathers of the Chinese Communist Party celebrated a short distance away, as well as the core mission of the museum itself that is purportedly dedicated to promoting Chinese culture instead of foreign luxury brands. These photographs juxtapose the “The Road of Rejuvenation” and “Masterpieces of Modern Chinese Fine Arts” exhibitions advocating the socialist roots of the Chinese Communist Party with the champagne-fueled openings of the “Louis Vuitton Voyages” and “Bulgari: 125 Years of Italian Magnificence” exhibitions. Such paradoxes stand at the center of the Chinese Communist Party’s attempts to rectify its embrace of rampant free-market consumerism with its socialist heritage.

This place is well documented, but fits into my Counterfeit Paradises series as Shanghai remains one of the fastest growing cities on the planet. In order to keep up with demand, the municipal government must supply housing for up to 400,000 new residents every year. In an effort to provide a bit of flash and diversity to the monotony of Chinese urban sprawl, developers broke ground on Songjiang New City which included nine satellite villages utilizing design elements from various European countries. Thames Town, modeled after quaint English hamlets, was the centerpiece and eventually the largest debacle after failing to attract permanent residents. The English-themed restaurants and stores remain shuttered while the streets only see the passing of young couples posing for wedding photographs. Far from the hustle and bustle of downtown Shanghai, the Thames Town Church seems poised to continue without a congregation for the foreseeable future.

As the Chinese Communist Party celebrates it’s 90th anniversary this year, nationalistic tourists are flocking in droves to communist heritage sites across China. Shaoshan, the birthplace of Mao Zedong, and Yan’an, the cradle of the Chinese Revolution where the Long March ended, now cater to millions of tourists every year. This is going to be the first of a series of posts detailing the bourgeois leisure practices of these nouveau riche pilgrims who possess expectations and consumer desires that seem at odd with the core ideologies of the founding fathers of the Chinese Revolution. The most elaborate attraction in the country is the extremely popular “The Defense of Yan’an” battle reenactment. This spectacle became all the rage thanks to a special twist: for an extra fee observers can don soldier fatigues and participate in the fray. Not only can you observe a pseudo-historical reenactment that spends an inordinate amount of time praising the leadership of Mao, vilifying the KMT and demonstrating the harmonious integration of Shaanxi folk life with communist principles, but you can also tote around guns, get close to the explosions and run wildly around a makeshift village in the name of celebrating revolutionary heritage. The theater of history plays out every afternoon with extra matinees on weekends.

As new cities continue to spring up across China almost overnight, real estate developers are taking architecture and urban design in wildly different directions to tap into the lucrative luxury housing market. Tianducheng/天都城 was one of those hopelessly trying to set a bold new precedent for modern and cultured living with it’s fake Eiffel Tower overlooking Parisian townhouses. The knockoff of the 13th arrondissement, however, remains sparsely populated and only draws well-heeled clientele to its adjacent resort and villas modeled after Fontainebleau Palace. For now, many of the apartments are occupied by groups of migrant laborers working on surrounding megablocks, while other locals have gone so far as to appropriate the green space surrounding the Eiffel Tower for private ad hoc farming plots. Otherwise Tianducheng along with the attached French-themed village park is mainly used as a backdrop for wedding photography companies hoping to give young Chinese couples a taste of The City of Light while balancing their desire for traditional nuptial observances.

International vacations are a must for the burgeoning number of nouveau riche across China. A well-used passport is a sure sign of fulfilling a “modern” and “cultured” lifestyle and completes the trifecta of high social status along with ownership of multiple homes and foreign luxury cars. Even in the face of the global economic downturn, China continues to boast the fastest growing outbound tourism market in the world. In 2009, the average expenses paid by Chinese for international travel went up 21% and will continue to grow as more and more flex their purchasing muscle. In Shenzhen, however, a favorite travel destination remains the Windows on the World. A short subway ride from the city center, the park boasts over a hundred small-scale replicas of famous monuments and buildings from all over the world. Here Chinese can fantasize about visiting foreign countries and practice taking tourist photographs. This make-believe space is one of consumer indoctrination and a selling point for a notion of civility that will most likely prove as empty as other social movements in China’s past.

During a trip to Xinjiang last year, I was lucky enough to visit an industrial cotton farm and the attached processing plants. Xinjiang is the largest cotton-producing province in China, and China is the largest cotton-producing country on the planet. Needless to say the sheer amount of cotton being moved through these processing plants blew me away. Workers incessantly tossed and shifted around giant piles of cotton the size of houses before it all got sucked up into seed-removing machines that lined the corridors of the processing plants. Even the seeds removed from the cotton would form mountainous heaps, spirited away by specially designed conveyer belts outside the processing plants. Last year was also a tumultuous time for the cotton industry in general. Prices for cotton rose almost 80% after flooding in Pakistan and inclement weather in China and India ruined many crops. Now various clothing companies are switching to synthetic blends to keep costs down. The processing plants in Xinjiang might be working overtime, but it probably won’t help the already outrageous prices people pay for jeans these days.

Just days before Barbie’s 50th birthday last March, the House of Barbie opened its doors in Shanghai and introduced China to over six floors of Barbie merchandise and services that catered to almost every need of a Barbie-princess-in-training. It was a full on Barbie assault from the start as you rode an entrance escalator bathed in pink light with the sound of giggling girls playing in the background. Aside from a daunting array of Barbie doll varieties, there was also a Barbie spa offering services such as the Plastic Smooth facial or Barbie Bust Firming treatment, a Barbie catwalk where girls can dress up as Barbie and put on their own fashion show, a Barbie design center where creatives can produce a custom-made Barbie, and a Barbie Cafe complete with Barbie-themed food and a pink martini bar. The Barbie spearhead into China came with a US$30 million dollar price tag and huge expectations. Sales of Barbie continue to fall with the financial downturn and Mattel International is counting on China to pick up the slack. With the spa and martini bar, the House of Barbie also hopes to stir up interest amongst older women in China who otherwise wouldn’t be targeted in western markets. Major designers such as Vera Wang, Patricia Field of “Sex and the City” fame, and handbag maker Judith Lieber all contributed to the merchandise including a US$15,000 Barbie wedding dress. Barbie, known as “Ba Bi Wa Wa” in Mandarin, still faces plenty of hurdles without the pedigree heritage she enjoys in western countries. Despite initial enthusiasm for the business model, Mattel was forced to downgrade sales expectations by 30% within the first six months of opening the House of Barbie. The interest is there, but whether or not Barbie can have her way with China and engender a new generation of Barbie princesses is yet to be scene. Check out more coverage by the Wall Street Journal and BBC as well as a CNN report detailing a blow-by-blow account of trying to spend twelve hours straight in the House of Barbie.

During the State of the Union Address on January 29, 2002 former United States President George W. Bush first employed the term “Axis of Evil” in order to link together three nations he accused of aiding terrorism and seeking to acquire weapons of mass destruction. The culprits, Iran, Iraq and North Korea, still bear that moniker in pop global culture and struggle to show a favorable side of their governments in international media. Rarely are chances given for these nations to present themselves in a better light on a world stage. The 2010 Shanghai World Expo is just such an opportunity and the three “Axis of Evil” pavilions are clearly planned to pitch an enticing and optimistic view of the countries in question. Luckily the largely domestic Chinese audience has a healthy appetite for spin and are greatly distracted by occasions to shop for exotic gifts at pavilion stores. Tens of millions of visitors now get an opportunity to see a new face of the “Axis of Evil” that was constructed on their own terms under the auspices of the Chinese government.